The synthesizer brand central to the recording of “I Feel Love” was Moog.
Giorgio Moroder and Pete Bellotte used a Moog synthesizer to create the track’s pulsing electronic bass, rhythmic patterns, and futuristic textures. That approach was striking in 1977, when many disco recordings still relied heavily on live orchestras and conventional rhythm sections.
The instrument was borrowed from classical composer Eberhard Schoener, with Schoener’s assistant Robby Wedel helping the production team synchronize the synthesizer parts. The recording used a sequencer and a 16-track tape recorder, creating a tightly repeating mechanical groove that became one of the song’s signatures.
The Moog was not responsible for every sound. Its oscillators could drift out of tune, so parts had to be recorded in short bursts and retuned. The kick drum was played by drummer Keith Forsey because the Moog could not produce a satisfactory kick. Thus, “I Feel Love” was a pioneering hybrid of programmed electronics, studio engineering, and human performance.